Volumetric Capture

Here is the breakdown. We deliver volumetric capture from a crew and facility base in Jakarta and Bali, recording performers and objects as fully three-dimensional digital assets that can be viewed from any angle. Our teams operate multi-camera capture arrays, synchronise camera and lighting across the rig, and process the data into volumetric models for use in VR, AR, virtual production and interactive content. Volumetric capture is a precise, controlled discipline, and our Jakarta studio spaces give the stable, climate-controlled environments these systems need, away from the heat, humidity and unpredictability of tropical exteriors.

Here is what that looks like on the ground. We direct performances for volumetric capture, manage the calibration and lighting uniformity the process depends on, and integrate the resulting assets into immersive and real-time pipelines. The technology lets Indonesian performers, cultural performances and brand content be captured once and reused across headset, mobile and interactive platforms. Remote joint work is supported for global clients overseeing volumetric projects with our teams from abroad, with shared progress so creative direction stays aligned.

Here is how the picture comes together. Volumetric capture is an emerging skill in Indonesia, concentrated in the two production centres of Jakarta and Bali, supported by a fast-growing creative sector and the Ministry of Tourism and Creative Economy's promotion of the creative industries. Jakarta, the megacity capital of a nation of around 280 million people, holds the deepest pool of studio space and the tech and real-time talent that volumetric systems need, with pro hardware supplemented from Jakarta and, where needed, from Singapore.

Here is what we have to work with. Indonesia's exceptionally rich performance culture gives volumetric capture distinctive material: the ceremonial dance and movement traditions of Bali, the shadow-puppet heritage of wayang and the craft traditions of more than 1,300 ethnic groups, all UNESCO-recognised, give compelling subjects for immersive preservation and storytelling. The country's large and digitally engaged audience drives demand for the AR and VR experiences that volumetric assets enable. English is widely used in the film-services sector, above all in Bali, so global shoots set up volumetric capture projects smoothly with local tech crews.