SCENE 01 / WIRELESS SYSTEMS
Wireless Systems
Complete wireless infrastructure for your Indonesian production.
Here is how this works in practice. Wireless communication and audio transmission systems keep production teams connected and audio signals flowing without physical cables. These systems cover wireless intercoms, IFB feeds, audio hops, and comms networks that are key for setting up large crews across expansive sets or locations.
Here is the short of it. We give wireless system packages configured for your production's specific communication and audio distribution needs. Our team sets up frequency planning and gear testing to make sure interference-free operation, allowing seamless crew communication and reliable audio transmission across your shoot.
Capabilities
Wireless Equipment
Audio, video, lens control, and RF management solutions.
Integrated Wireless Solutions
Capabilities
Our Process
RF Survey
Scanning your locations to know the RF environment and identify clean frequencies.
System Design
Designing an integrated wireless solution covering audio, video, and control needs.
Frequency Coordination
Allocating and logging frequencies to make sure all systems operate without interference.
Production Support
Ongoing RF tracking and support across your shoot.
On Location
Integrated wireless infrastructure covering intercom, IFB, audio hops and lens control, frequency-coordinated under Komdigi spectrum rules for large crews working across Jakarta, Bali and remote island locations.
Here is the breakdown. Our team designs and supplies integrated wireless systems from rental houses in Jakarta and Bali, bringing intercom, IFB feeds, audio hops, wireless video and lens control under a single set up frequency plan. We start with a RF survey of your locations, allocate clean channels to each department, and document the plan so each team programs gear to the same map. All gear is tested and pre-configured before delivery, with antenna distribution and RF cabling prepared for fast on-set deployment.
Here is what that looks like on the ground. Tropical conditions drive our preparation: transmitters, receivers and intercom base stations are sealed against equatorial humidity and monsoon rain, connectors are covered from salt air on coastal shoots, and gear is conditioned in dry cases between setups. For multi-site shoots, the full wireless package is crated for domestic flights and boat transfers across the archipelago, and we keep spare units and a RF technician ready across the shoot. Where a pro or high-density wireless need exceeds local stock, gear can be supplemented from Singapore.
Here is how the picture comes together. Each wireless link in Indonesia operates within RF range administered by the Ministry of Communication and Digital Affairs, Komdigi, through its SDPPI directorate. A compliant, set up frequency plan is central to how we run any wireless system. The country's geography stresses wireless infrastructure in different ways: a crowded Jakarta set competes against dense urban RF and broadcast traffic. Expansive locations such as the rice terraces of Jatiluwih or the volcanic landscape around Mount Bromo call for repeaters and careful antenna planning to hold coverage across distance.
Here is what we have to work with. The prime dry season runs roughly April or May to September or October, with humidity high year-round demanding constant gear discipline. Indonesia's fast-growing film industry and strong streaming investment support skilled local RF crews. English is widely used in the film-services sector and strongly so in Bali, keeping planning clear for visiting shoots managing complex multi-department wireless setups.
FAQ
Frequently Asked Questions
What wireless systems do you coordinate?
We set up all production wireless systems including microphones, IFB/IEM, wireless video, lens control, intercom, and any other RF gear. Full planning makes sure all systems work together without interference.
How do you handle frequency allocation?
We scan your locations, identify clean frequencies within Indonesian legal range, and allocate channels to all departments. We give frequency records and work with each department to program their gear.
What about wireless video systems?
We supply Teradek Bolt, Vaxis Storm, and other wireless video systems for video village distribution. These give zero-latency transmission allowing directors and clients to monitor without cables.
Do you provide wireless lens control?
Yes, we supply wireless follow focus systems including Preston FIZ, ARRI WCU-4, and Tilta Nucleus. We make sure lens control frequencies are set up with other wireless systems.
What about Indonesian RF regulations?
We're familiar with Indonesian frequency rules and make sure all wireless gear operates within legal range. We can advise on sign-ups needs for high-power systems.
Can you support large-scale productions?
Yes, we often support shoots with dozens of wireless channels across many departments. Complex shoots gain most from full RF planning.
Related Services
Productions in Indonesia that need this often pair it with Wireless Microphone Systems, Location Sound Packages, and Boom Microphones for full coverage. Most projects also draw on Communication Systems and Wireless Audio Systems.
On Set
Need Wireless Solutions?
Tell us about your wireless requirements and we'll design the right system.