Drama Series Production

Here is the breakdown. We give full production support for drama series across Indonesia, managing the sustained operational demands episodic production places on crew, gear and locations. Our producers break scripts down across the full episode order, then schedule by location block rather than story sequence to minimise firm moves and protect the budget. We assemble drama-skilled departments, directors of photography, gaffers, grips, art and costume teams, from a crew base concentrated in Jakarta and Bali, and keep steady creative leadership across extended shoots.

Here is what that looks like on the ground. For period work, Indonesia gives genuine depth: Javanese palaces, Dutch colonial build style, preserved historical streets and heritage temples, while Jakarta supplies the modern urban canvas. We set up costume houses, prop suppliers and set-decoration resources, secure the filming permits foreign shoots route through the relevant authorities, and plan archipelago logistics around the domestic flight network. Script oversight and department heads keep scene matching records across episodes. Post-prod is set up through to broadcast and streaming delivery specs.

Here is how the picture comes together. Indonesia has a large and fast-growing domestic film and television industry, one of Asia's biggest by audience, and the streaming era has accelerated demand for scripted drama. Netflix and other platforms have invested heavily in Indonesian content, drawing on a talent pool whose global standing is well set up, the genre cinema of Joko Anwar, the action filmmaking of Gareth Evans, the festival-acclaimed work of Mouly Surya. Jakarta is the production heart, supplying studio infrastructure, casting directors and the deepest crew base. Bali adds a mature production-services ecosystem.

Here is what we have to work with. The country's location range is top: Java's UNESCO-listed Borobudur and Prambanan, the cultural city of Yogyakarta, Bali's temples and rice terraces, and around 130 active volcanoes along the Pacific Ring of Fire. The Ministry of Tourism and Creative Economy promotes the creative economy and supports film. English is widely used in the film-services sector. The currency is the Indonesian rupiah and VAT is charged at 11%.